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Gaudí
made sure that anyone walking through Casa Batlló would not feel
too far from the water. His oceanic palette and
fluid frameworks in wood and tile englobe the visitor into a sea-like
promenade without turbulent waves but with a rippling serenity.
Upon entering, visitors notice the rounded “corners” of
doorways and windows. The staircase banister holds each hand in perfect form as it leads guests to Batlló's office and sitting rooms.
Light shines from what looks like turtle backs and onto the wall
motif resembling scales. Where Victor Horta's Art Nouveau comes across more
flowery, Gaudí looks to the sea and its creatures for inspiration.
As if underwater and looking
up toward the sunlight, Gaudí's choice of glass - its color and its shape - pull in the natural light of the Barcelona sun. In the office,
a small skylight allows sunlight to naturally fall into place while
being reflected in the mirrors strategically placed opposite of it.
Through the next doors, windows span across the two front rooms separated only by a sliding wooden door. The ceiling droops and curves poetically with the door's framework, avoiding any straight lines. Out the windows, the Batlló family appreciated watching the comings and goings on busy Avenue de Gràcias up until the mid-1950s. To filter excess sun, Gaudí designed stained-glass along the top of the windows in the form of disks and in progressive shades of blues.
Through the next doors, windows span across the two front rooms separated only by a sliding wooden door. The ceiling droops and curves poetically with the door's framework, avoiding any straight lines. Out the windows, the Batlló family appreciated watching the comings and goings on busy Avenue de Gràcias up until the mid-1950s. To filter excess sun, Gaudí designed stained-glass along the top of the windows in the form of disks and in progressive shades of blues.
His choice of colors and
shades is equally apparent down the walls from a domed skylight in the middle of the building. By using darker colored blue tiles
towards the top and lighter colored tiles towards the bottom, the
Barcelona sun shines through this area giving the look of all one
shade.
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Up the final staircase from the attic, visitors marvel again at the tiles (600, according to the official website) Gaudí used to ornate the roof. Compared to a colorful dragon's back, it
invites adults and children to enjoy the magic of Gaudí's
creativity.
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For more information on
visiting Casa Batlló, please see its
website.
Related posts:
Victor Horta and His Art Nouveau
At the Home of Victor Horta
La Maison Autrique, chez un ami
Related posts:
Victor Horta and His Art Nouveau
At the Home of Victor Horta
La Maison Autrique, chez un ami